About Adulting 101
StumpyPup Studio's vision of Schoolhouse Rock adaptation for adults. These songs are crafted to provide philosophical, financial, lifestyle, and other tips and encouraging support to young adults just figuring life out, and experienced adults that may have missed some tutorial level information somewhere along their path. The music touches on many genres, but focuses primarily between pop-rock, blues, and digital/edm.
About Balor Jams
Lyrically hand written, Balor Jams is a playlist of songs experimentally composed by open source Artificial Intelligence with a subscription for commercial distribution to explore variations in quality, style, creative range, and control. For practical use, these songs were crafted for the digital C.C.G. Shadow Era which takes place in the fictional land of Balor where fantasy style characters of all types juggle political struggles and warfare amidst an invasion from another world. The game bears a mechanical likeness to the most popular C.C.G.s in the genre, and the music is featured in the game as of January 2025.
About Machine
The second album produced by StumpyPup Studios, Machine was meant to be the first. After recovering from a broken hand, the artist behind the album challenged himself to produce 12 songs with no help in under a month. They may not be the work of legends, but the music accomplishes a recreation of a basic 90s rock sound with a little personal twist inspired by alternative music of the 2010s. The occasionally off beat nature is sometimes an artistic choice, and sometimes a result of racing to the finish line. All tracks were performed by the same artist with the exception of a few drum tracks which use the built in auto drummer native to Logic Pro X at the time.
About Carnival of Ecstasy
The first album officially produce by StumpyPup Studios under the former title of Hito's Music n Media, Carnival of Ecstasy was meant to be a 90s rock album featuring original music written by the sole artist of the album, and the bad he was working with at the time. After suffering a broken hand, continuing production required pivoting from guitar to less demanding performance options including keyboard synths with low pressure keys, and drum pad instruments which could be played with a few fingers at a time. Most, if not every, note(s) in this album are performed by hand without knowledge of quantizing features in Logic Pro X. The music ranges from fun and outlandish to unnerving, and occasionally hard to handle. The album isn't for everyone, but is an interesting listen for the curious.